https://www.baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Divine_Providence_Glorification_of_the_Reign_of_Urban_VIII/Cortona_Allegory_of_Divine_Providence.jpg 94169140faafe9e6c60a46dec9675a1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Divine Providence: Glorification of the Reign of Urban VIII Description An account of the resource Divine Providence: Glorification of the Reign of Urban VIII is one of the reigning examples of the Baroque ceiling fresco, a manifestation of Pietro da Cortona’s mastery of Baroque style. The fresco dominates the ceiling of the Palazzo Barberini, the estate of Pope Urban VIII’s family, and pays extravagant tribute to the family in a mass of allegorical and mythological figures. The central female figure, Divine Providence, reaches up towards the Barberini family coat of arms, the set of three bees, supported by the Fates. She directs Fame, who holds a starry crown. Other notable characters include the mythological Hercules and Minerva; Chronos, time personified; Immortality; Religion; and Good Government. The fresco places its myriad figures in a framework of painted stucco columns, but the rest of the image opens the ceiling to the heavens in an illusory extension of space. Cortona’s work in this fresco indicates some of the technical innovations emerging particularly in Baroque ceiling painting. Earlier painters had utilized methods of trompe l’oeil, or “tricking the eye” as a way of manipulating a painting to blend with the wall on which it was displayed or extend a space backwards into the wall. Greater contrast in light and shadow and perspective techniques like foreshortening could be used to make a painted figure “project” outward towards the viewer. In this case, Cortona extends the space of the Palazzo Barberini upwards with the practices that came to be known as quadratura and di sotto in sù. Quadratura refers to the extension of architectural elements from the walls of a room into the painted ceiling; the addition of false columns or balustrades into the painted image increases the perceived height of the ceiling. Di sotto in sù, or “as seen from below” painting, was not quite at its height in Divine Providence but Cortona developed the technique further in his fresco in the nave of the Chiesa Nuova in Rome. Creator An entity primarily responsible for making the resource Pietro da Cortona (1596-1669) Source A related resource from which the described resource is derived Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. This source provides an overview of the most well-known practitioners of illusionistic painting in the Baroque period, touching on such notable figures as Pietro da Cortona (1596-1669); Giovanni-Battista Gaulli, known as Baciccia (1639-1709); and Andrea Pozzo (1642-1709). It traces the origins of Baroque style and how that style translated into the newly bold, dynamic ceiling frescoes of the period. Pietro da Cortona in particular is set apart as a trailblazer of Baroque painting, especially in his use of illusionary tactics including trompe l’oeil, di sotto in su, and quadratura. Publisher An entity responsible for making the resource available Pietro, da Cortona, 1596-1669. 1633-39. Rome: Palazzo Barberini: Divine Providence, Glorification of the Reign of Urban VIII. https://library.artstor.org/asset/ARTSTOR_103_41822000549095. Date A point or period of time associated with an event in the lifecycle of the resource 1633-39 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Stucco/Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palazzo Barberini, Rome, Italy