Browse Items (14 total)

This is an example of what the map for the publicly-facing Giovanni Garzoni proposal would look like. The interactive map could be displayed on a large scale in a museum. We propose an online or in-person interactive map exhibit displaying the…

Barker's article posits evidence based hypotheses about the art of Garzoni's career, and provides a primary source telling of Garzoni's youth. Garzoni was an acting artist even at adolescence, thought to have had her first patron, Grand Duchess Maria…

"Still Life with Fruit on a Stone Ledge," oil on a 105 x 84cm canvas dated to around 1603, depicts various fruits including grapes, pomegranates, watermelon, and more sitting atop a stone ledge [1]. The painting is thought to have been created in…

"Plate of Figs" is painted with bodycolor (gouache) on vellum on a 25 x 32.5 cm board. The miniature was created as a part of Garzoni's series "Twenty Small Paintings on Vellum" for Ferdinando II, Grand Duke of Tuscany. Each painting in the series…

Sheila Barker’s essay, “The Universe of Giovanna Garzoni. Art, Mobility, and the Global Turn in the Geographical Imaginary” provides an examination of the influences that shaped Giovanna Garzoni’s life, career, and art. Barker argues that Garzoni’s…

Garrard D., Mary. “The Not-So-Still Lifes of Giovanna Garzoni.” Essay. In "The Immensity of the Universe" in the Art of Giovanna Garzoni, 62-77. Sillabe, 2020. 

Mary D. Garrard's essay within Sheila Barker's catalogue discusses the work of…

This oil on canvas still life painting is the earliest still life with a clear, concrete creation date, and is Galizia's first signed one [1]. Different sources refer to this painting by slightly different names from the most common name used in the…

Giovanna Garzoni painted this magnificent still-life in 1650, towards the middle/beginning of the latter-half of her career. This painting was originally thought to be created by Jacobo Ligozzi, but is now accurately credited to Garzoni [1]. Art…

Giovanna Garzoni and Maria Sibylla Merian lived two unusual lives for female artists at the time. Both of them left their husbands and both are renowned for their work in still lifes. Yet this article argues that their most powerful connector is how…

Anna Maria Vaiani is another female artist who did floral designs. In Giovanni Battista Ferrari’s piece on gardening, Flora, ouero, Cultura di fiori, (1638) Vaiani etched many of the floral designs. Like Garzoni, her designs played on anatomy of…