Browse Items (14 total)

This is a collection of drawings of various plants all done by Garzoni (1650). Known for her still-life pieces, Garzoni hones in on the individual plant, examining shape and form of real plant anatomy. This book contains 50 different plants that…

This oil on canvas still life painting is the earliest still life with a clear, concrete creation date, and is Galizia's first signed one [1]. Different sources refer to this painting by slightly different names from the most common name used in the…

Garrard D., Mary. “The Not-So-Still Lifes of Giovanna Garzoni.” Essay. In "The Immensity of the Universe" in the Art of Giovanna Garzoni, 62-77. Sillabe, 2020. 

Mary D. Garrard's essay within Sheila Barker's catalogue discusses the work of…

Sheila Barker’s essay, “The Universe of Giovanna Garzoni. Art, Mobility, and the Global Turn in the Geographical Imaginary” provides an examination of the influences that shaped Giovanna Garzoni’s life, career, and art. Barker argues that Garzoni’s…

Dish with Decoration of Oxen and Cherry Blossoms relates to Giovanna Garzoni’s Dog with a Biscuit and a Chinese Cup as an example of the type of ceramic ware that Garzoni came into contact with and depicted in her artwork. As a court artist for the…

Dog with a Biscuit and a Chinese Cup was painted by Giovanna Garzoni in 1648. The work is a tempera painting on vellum that measures 27.5 x 39.5 centimeters [1]. Between the years 1642 to 1651, Garzoni worked as a court artist for the Medici Grand…

Anna Maria Vaiani is another female artist who did floral designs. In Giovanni Battista Ferrari’s piece on gardening, Flora, ouero, Cultura di fiori, (1638) Vaiani etched many of the floral designs. Like Garzoni, her designs played on anatomy of…

This is an example of what the map for the publicly-facing Giovanni Garzoni proposal would look like. The interactive map could be displayed on a large scale in a museum. We propose an online or in-person interactive map exhibit displaying the…

Barker's article posits evidence based hypotheses about the art of Garzoni's career, and provides a primary source telling of Garzoni's youth. Garzoni was an acting artist even at adolescence, thought to have had her first patron, Grand Duchess Maria…

"Plate of Figs" is painted with bodycolor (gouache) on vellum on a 25 x 32.5 cm board. The miniature was created as a part of Garzoni's series "Twenty Small Paintings on Vellum" for Ferdinando II, Grand Duke of Tuscany. Each painting in the series…