8 10 149 https://www.baroque.dahvc.org/fall-2021/files/original/Medusa/Medusa_Bernini_Musei_Capitolini.jpg 9b67479b90a32e01266e19d245c2eeba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medusa Description An account of the resource Bernini’s Medusa sculpture shows Medusa amidst her transformation into a monster. Bernini’s depiction here is again heavily depicted by Ovid’s Metamorphosis. According to Ovid, Medusa was punished by Athena for having an affair with Poseidon in her heavenly temple. Bernini aims to paint her in an emotional and in pathetic, moving fashion. These themes of sympathy and pain are commonly depicted in many of the counter-reformation works in this time especially when depicting Christian martyrs and Mary Magdalene. Bernini is translating this common manner of depicting emotionally-filled Christain stories within this mythological work. Creator An entity primarily responsible for making the resource Sofia Silvosa Source A related resource from which the described resource is derived Glennon, Madeleine. “Medusa in Ancient Greek Art.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/medu/hd_medu.htm (March 2017). Lavin, Irving. "Bernini’s Bust of the Medusa: An Awful Pun." (2019). “Bernini's Medusa.” FAMSF, August 21, 2019. https://www.famsf.org/press-room/berninis-medusa. Publisher An entity responsible for making the resource available “Medusa by Gian Lorenzo Bernini - Facts & History of the Sculpture.” Totally History, April 27, 2013. https://totallyhistory.com/medusa-gian-lorenzo-bernini/. Date A point or period of time associated with an event in the lifecycle of the resource 1630-1644 Contributor An entity responsible for making contributions to the resource Sofia Silvosa Format The file format, physical medium, or dimensions of the resource 68 cm Type The nature or genre of the resource Sculpture https://www.baroque.dahvc.org/fall-2021/files/original/Sleeping_Hermaphroditus/Sleeping_Hermaphroditus_Louvre_Museum_Paris_14_July_2013.jpg c222f390b7bfbf0cd593a7b773ed2e2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sleeping Hermaphroditus Description An account of the resource The” Hermaphrodite” sculpture is one of Gian Lorenzo Bernini’s most famous restoration works. The figure radiates ambiguous seductiveness and intrigue. Hermaphroditus is shown sleeping down but different angles of the piece reveal the figure’s male and female genitalia Creator An entity primarily responsible for making the resource Gian Lorenzo Bernini Source A related resource from which the described resource is derived Kenseth, Joy. “Bernini’s Borghese Sculptures: Another View.” The Art Bulletin 63, no. 2 (1981): 191–210. https://doi.org/10.2307/3050112. Reid, Jane Davidson. The Oxford Guide to Classical Mythology in the Arts 1300-1990s. 1. Vol. 1. New York: Oxford Univ. Press, 1993 Bacchi, Andrea, and Anna Coliva. Bernini. Milano: Officina Libraria srl, 2017. Publisher An entity responsible for making the resource available Scipione Borghese Contributor An entity responsible for making contributions to the resource Sofia Silvosa Format The file format, physical medium, or dimensions of the resource 169 cm (67 in) Type The nature or genre of the resource Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Louvre, Paris, France https://www.baroque.dahvc.org/fall-2021/files/original/Aeneas_Anchises_and_Ascanius/Aeneas_Anchises_and_Ascanius_by_Bernini.jpg eb71bff29ac6f7a4e0e9d915d37fefc2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aeneas, Anchises, and Ascanius Description An account of the resource The Aeneas, Anchises, and Ascanius sculpture was the first large modern sculpture to be exhibited at Borghese villa. The sculpture depicts a classic visual from the stories of the Trojan War. It shows Aeneas, the founder of Rome, leading his family from the burning city of Troy. Aeneas carries his father Anchises on his back and his young son Ascanius follows them from behind. The story is drawn most notably from Virgil’s “Aeneid.” Creator An entity primarily responsible for making the resource Sofia Silvosa Source A related resource from which the described resource is derived Mangone, Carolina. "Like Father, Like Son: Bernini's Filial Imitation of Michelangelo." art history 37, no. 4 (2014): 666-687. Wittkower, Rudolf. Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. London: The Phaidon Press, 1966 Bernini, Author: Gian Lorenzo. “Aeneas, Anchises, and Ascanius by Bernini in Borghese Gallery.” Galerie Borghèse. Borghese Gallery, August 2, 2019. Publisher An entity responsible for making the resource available Bernini, Author: Gian Lorenzo. “Aeneas, Anchises, and Ascanius by Bernini in Borghese Gallery.” Galerie Borghèse. Borghese Gallery, August 2, 2019. Date A point or period of time associated with an event in the lifecycle of the resource 1618-1619 Contributor An entity responsible for making contributions to the resource Sofia Silvosa Format The file format, physical medium, or dimensions of the resource 220 cm (87 in) Type The nature or genre of the resource Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Borghese Gallery and Museum, Rome, Italy https://www.baroque.dahvc.org/fall-2021/files/original/Apollo_and_Daphne/2.AD_.World_.Kings_.1200x580.jpg 9f70f2f97fd712325c2df9b3baf64ebf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Cover of Exhibition. Title A name given to the resource Apollo and Daphne Description An account of the resource Three different black and white pictures of Bernini's "Apollo and Daphne" sculpture. Bernini’s life-sized marble sculpture of “Apollo and Daphne” is regarded as one of his most powerful and emotional works. The work was commissioned in 1622 by Cardinal Scipione Borghese and was initially placed in his villa. Creator An entity primarily responsible for making the resource Sofia Silvosa Source A related resource from which the described resource is derived Wilkins, Ann Thomas. “Bernini and Ovid: Expanding the Concept of Metamorphosis.” International Journal of the Classical Tradition 6, no. 3 (2000): 383–408. Reid, Jane Davidson. The Oxford Guide to Classical Mythology in the Arts 1300-1990s. 1. Vol. 1. New York: Oxford Univ. Press, 1993. Bacchi, Andrea, and Anna Coliva. Bernini. Milano: Officina Libraria srl, 2017. Publisher An entity responsible for making the resource available Glasstire Date A point or period of time associated with an event in the lifecycle of the resource 1622-1625 Contributor An entity responsible for making contributions to the resource Sofia Silvosa Format The file format, physical medium, or dimensions of the resource 243 cm Type The nature or genre of the resource Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Galleria Borghese in Rome https://www.baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Ceiling_of_Palazzo_Poggi/Tibaldi_Palazzo_Poggi.jpg 56a858cfe3ca96ff348d20c31d92bda6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ceiling of Palazzo Poggi Description An account of the resource Ceiling fresco by Pellegrino Tibaldi in Palazzo Poggi Creator An entity primarily responsible for making the resource Pellegrino Tibaldi Source A related resource from which the described resource is derived Tibaldi, Pellegrino, 1527-1596. 1554-5. Bologna: Palozzo Poggi Sale d'Ullisse Sun: det.. https://library.artstor.org/asset/ARTSTOR_103_41822000634178. Publisher An entity responsible for making the resource available Tibaldi, Pellegrino, 1527-1596. 1554-5. Bologna: Palozzo Poggi Sale d'Ullisse Sun: det.. https://library.artstor.org/asset/ARTSTOR_103_41822000634178. Date A point or period of time associated with an event in the lifecycle of the resource 1554-55 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palazzo Poggi, Bologna, Italy https://www.baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Camillus_Allegory_of_Glory/Camillus_Allegory_of_Glory_ceiling_fresco_by_Mariano_Rossi_-_Galleria_Borghese_-_Rome_Italy_-_DSC04953.jpg c08a34d9144501307b8e8e99bfbb65b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Camillus, Allegory of Glory Description An account of the resource Ceiling fresco by Mariano Rossi in the Galleria Borghese Creator An entity primarily responsible for making the resource Mariano Rossi Source A related resource from which the described resource is derived Wikimedia Commons contributors, "File:Camillus, Allegory of Glory, ceiling fresco by Mariano Rossi - Galleria Borghese - Rome, Italy - DSC04953.jpg," Wikimedia Commons, the free media repository,https://commons.wikimedia.org/w/index.php?title=File:Camillus,_Allegory_of_Glory,_ceiling_fresco_by_Mariano_Rossi_-_Galleria_Borghese_-_Rome,_Italy_-_DSC04953.jpg&oldid=498722303 (accessed November 20, 2021). Publisher An entity responsible for making the resource available Wikimedia Commons contributors, "File:Camillus, Allegory of Glory, ceiling fresco by Mariano Rossi - Galleria Borghese - Rome, Italy - DSC04953.jpg," Wikimedia Commons, the free media repository,https://commons.wikimedia.org/w/index.php?title=File:Camillus,_Allegory_of_Glory,_ceiling_fresco_by_Mariano_Rossi_-_Galleria_Borghese_-_Rome,_Italy_-_DSC04953.jpg&oldid=498722303 (accessed November 20, 2021). Date A point or period of time associated with an event in the lifecycle of the resource 1775-79 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. Format The file format, physical medium, or dimensions of the resource Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Galleria Borghese, Rome, Italy https://www.baroque.dahvc.org/fall-2021/files/original/Bernini_s_Mythological_Sculptures/Faun_Teased_by_Children/DP248147.jpg 3819103575f81c99dc071fc4215b2e2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bernini's Mythological Sculptures Description An account of the resource Gian Lorenzo Bernini is considered to be one of the important artists from the Baroque period and is considered to be one of the most influential artists of all time. He was born in Naples in 1598 and from a young age was considered gifted in the arts. He was just eleven years old when his father, sculptor Pietro Bernini, brought him as a prodigy to Pope Paul V Borghese. His marble sculptures are his most celebrated works with groundbreaking biblical works like the “David” and “The Ecstacy of St. Theresa.” However, many of his most renowned sculptures, which encompass an earlier point in his career, include his mythological sculptures. Many of these sculptures depicted Green and Roman myths. During the baroque period, alongside several biblical works, we see a large number of mythological artworks– a continuity from the Renaissance period. Bernini’s works are no exception. His mythological sculptures are famous for their dynamic composition and emotional storytelling. Bernini was heavily inspired by many of the myths included in Ovid’s Metamorphoses. This collection explores ten notable mythological sculptures by Bernini and tackles to understand why Bernini was so intrigued by these myths and how he was able to communicate these myths through sculpture. Furthermore, on a broader scale, this collection will also explore the use of mythology in the Counter-Reformation period and its place in Baroque art. Contributor An entity responsible for making contributions to the resource Sofia Silvosa Creator An entity primarily responsible for making the resource Sofia Silvosa Source A related resource from which the described resource is derived Wilkins, Ann Thomas. “Bernini and Ovid: Expanding the Concept of Metamorphosis.” International Journal of the Classical Tradition 6, no. 3 (2000): 383–408. http://www.jstor.org/stable/30222585. Bacchi, Andrea, and Anna Coliva. Bernini. Milano: Officina Libraria srl, 2017. Reid, Jane Davidson. The Oxford Guide to Classical Mythology in the Arts 1300-1990s. 1. Vol. 1. New York: Oxford Univ. Press, 1993. Strunck, Christina. "The poisoned present. A new reading of Gianlorenzo Bernini's Rape of Proserpina." (2014): 185-201. Dickerson, Claude Douglas, Anthony Sigel, Ian Wardropper, Andrea Bacchi, Tomaso Montanari, Steven F. Ostrow, and A. Lawrence Jenkens. Bernini: Sculpting in Clay. New York: The Metropolitan Museum of Art, 2012. Victoria and Albert Museum, Online Museum. “Bernini's Neptune and Triton.” 'Neptune and Triton' by Gianlorenzo Bernini. Victoria and Albert Museum, Cromwell Road, South Kensington, London SW7 2RL. Telephone +44 (0)20 7942 2000. Email vanda@vam.ac.uk, August 22, 2013. http://www.vam.ac.uk/content/articles/n/berninis-neptune-and-triton/ Collier, William. “New Light on Bernini’s Neptune and Triton.” Journal of the Warburg and Courtauld Institutes 31 (1968): 438–40. https://doi.org/10.2307/750654. Date A point or period of time associated with an event in the lifecycle of the resource 1598-1680 Type The nature or genre of the resource Sculptures Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faun Teased by Children Description An account of the resource “A Faun Teased by Children” is one of Bernini’s earliest works. The artist completed this work in 1616 when he was about eighteen years old. Bernini completed this small yet masterful sculpture under the supervision of his father Creator An entity primarily responsible for making the resource Gian Lorenzo Bernini Source A related resource from which the described resource is derived Wittkower, Rudolf. Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. London: The Phaidon Press, 1966. Wilkins, Ann Thomas. “Bernini and Ovid: Expanding the Concept of Metamorphosis.” International Journal of the Classical Tradition 6, no. 3 (2000): 383–408. Reid, Jane Davidson. The Oxford Guide to Classical Mythology in the Arts 1300-1990s. 1. Vol. 1. New York: Oxford Univ. Press, 1993. Publisher An entity responsible for making the resource available Met Museum Date A point or period of time associated with an event in the lifecycle of the resource 1616-1617 Contributor An entity responsible for making contributions to the resource Sofia Silvosa Type The nature or genre of the resource Sculpture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Met Museum https://www.baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Translation_of_the_Holy_House_to_Loreto/Translation_of_the_Holy_House_[corrected].jpg 758611ec71410847357db7b5fd4d5392 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Translation of the Holy House to Loreto Description An account of the resource Ceiling fresco by Giovanni Battista Tiepolo in the S. Maria di Nazareth, destroyed in 1915 Creator An entity primarily responsible for making the resource Giovanni Battista Tiepolo Source A related resource from which the described resource is derived Tiepolo, Giovanni Battista, 1696-1770. 1744. Translation of the Holy House to Loreto. ceiling fresco. https://library.artstor.org/asset/ARTSTOR_103_41822003110077. Publisher An entity responsible for making the resource available Tiepolo, Giovanni Battista, 1696-1770. 1744. Translation of the Holy House to Loreto. ceiling fresco. https://library.artstor.org/asset/ARTSTOR_103_41822003110077. Date A point or period of time associated with an event in the lifecycle of the resource 1744 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Originally in S. Maria di Nazareth, Venice, Italy https://www.baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Jupiter_Punishing_the_Vices/Veronese_Jupiter.jpg b639f03955366fc693c07aaad283475e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jupiter Punishing the Vices Description An account of the resource Ceiling painting by Paolo Veronese, originally in the Palazzo Ducale Creator An entity primarily responsible for making the resource Paolo Veronese Source A related resource from which the described resource is derived Paolo Veronese. 1556. Jupiter Punishing the Vices. painting. Place: Musée du Louvre, INV. 147.. https://library.artstor.org/asset/LESSING_ART_10310120541. Publisher An entity responsible for making the resource available Paolo Veronese. 1556. Jupiter Punishing the Vices. painting. Place: Musée du Louvre, INV. 147.. https://library.artstor.org/asset/LESSING_ART_10310120541. Date A point or period of time associated with an event in the lifecycle of the resource 1556 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource Photo Credit: Erich Lessing/ART RESOURCE, N.Y. Format The file format, physical medium, or dimensions of the resource Oil on canvas, 560 x 330 cm Type The nature or genre of the resource Ceiling painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Musée du Louvre, Paris, France https://www.baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Saint_Mark_Rewarding_the_Theological_Virtues/Veronese_Saint_Mark.jpg 415d903101616aed9ed991f51d4caccc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Mark Rewarding the Theological Virtues Description An account of the resource Ceiling painting by Paolo Veronese, originally in the Palazzo Ducale Creator An entity primarily responsible for making the resource Paolo Veronese Source A related resource from which the described resource is derived Paolo Veronese. 1556. Saint Mark rewarding the Theological Virtues.. painting. Place: Musée du Louvre, INV. 148.. https://library.artstor.org/asset/LESSING_ART_10310120258. Publisher An entity responsible for making the resource available Paolo Veronese. 1556. Saint Mark rewarding the Theological Virtues.. painting. Place: Musée du Louvre, INV. 148.. https://library.artstor.org/asset/LESSING_ART_10310120258. Date A point or period of time associated with an event in the lifecycle of the resource 1556 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource Photo Credit: Erich Lessing/ART RESOURCE, N.Y. The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Oil on canvas, 330 x 317 cm Type The nature or genre of the resource Ceiling painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Musée du Louvre, Paris, France