Dublin Core
Title
Venus and Cupid
Description
This painting was completed by the Italian Mannerist artist Luca Cambiaso (1527-1585), a leading artist in Genoa in the 16th century. The painting was done in his middle period, which was his best period when his style was more subdued and more highly finished. It is known to first belong to William Patoun's collection in the 18th century. Against an almost-black background, Venus is reclining against satin-covered cushions, holding in her lap a youthful Cupid who extends his right arm. Their nude bodies, beautifully modeled, appear in almost sculptural roundness bathed in a cold light which imparts a delicate mauve tone to the flesh. At either side are rich purple hangings, and in the foreground is Cupid's quiver of arrows, brilliant turquoise blue with red straps. At the left are two turtledoves. Though possessing the strongly marked three-dimensional feeling and compact composition so typical of Mannerist paintings, this canvas has all the elegance of a Titian together with an extraordinary and quite unique color arrangement.
Creator
Cambiaso, Luca
Source
Sweet, Frederick A. “Venus and Cupid by Luca Cambiaso.” Bulletin of the Art Institute of Chicago (1907-1951) 37, no. 1 (1943): 2–3. https://doi.org/10.2307/4116877.
- This source first provides an overview of the Italian artist Luca Cambiaso’s professional experience and artistic style. It argues that starting with a Raphaelesque early style, Cambiaso peaks his work quality as subdued and highly finished in his middle period. Subsequently, the source provides a thorough formal analysis of Venus and Cupid. It argues that despite the classical formula of the compact composition aiming at creating a three-dimensional feeling, Cambiaso succeeded in depicting a tenderness in the relationship between Venus and Cupid, which indicates the Raphael influence on the artist. Following the discussion on the painting, the source introduces a comparative artwork: a drawing of Venus and Cupid by Cambiaso. Importantly, the source infers that Venus and Cupid belonged in the collection of Emperor Rudolph II or Queen Christina of Sweden before the 18th century. With formal analysis and historical facts as evidence, this source succinctly and significantly highlights the life and merit of the artist Luca Cambiaso.
- This source first provides an overview of the Italian artist Luca Cambiaso’s professional experience and artistic style. It argues that starting with a Raphaelesque early style, Cambiaso peaks his work quality as subdued and highly finished in his middle period. Subsequently, the source provides a thorough formal analysis of Venus and Cupid. It argues that despite the classical formula of the compact composition aiming at creating a three-dimensional feeling, Cambiaso succeeded in depicting a tenderness in the relationship between Venus and Cupid, which indicates the Raphael influence on the artist. Following the discussion on the painting, the source introduces a comparative artwork: a drawing of Venus and Cupid by Cambiaso. Importantly, the source infers that Venus and Cupid belonged in the collection of Emperor Rudolph II or Queen Christina of Sweden before the 18th century. With formal analysis and historical facts as evidence, this source succinctly and significantly highlights the life and merit of the artist Luca Cambiaso.
Publisher
Cambiaso, Luca. “Venus and Cupid.” The Art Institute of Chicago. Painting and Sculpture of Europe. Accessed October 9, 2021. https://www.artic.edu/artworks/44816/venus-and-cupid.
Date
1565-1575
Contributor
Jenny Chen
Rights
You are welcome to use any images with the label “CC0 Public Domain Designation” for any purpose, including commercial and noncommercial uses, free of charge and without additional permission from the museum. Although the museum is not aware of and does not believe that such images are subject to any copyright restrictions, it is the sole responsibility of the image user to identify and obtain any necessary third-party permissions, if any. The Art Institute of Chicago makes no representations or warranties of any kind concerning the images.
Format
107.5 × 95.7 cm
Type
Painting
Coverage
A. A. Munger Collection, The Art Institute of Chicago, Chicago, United States